![]() ![]() I've been wondering lately if it might be worth building or buying a reamp box for matching impedances, but from what I've read in this thread, there wouldn't really be much point?Ģ things we're concerned with: level and impedance. I mostly use my pedals for processing line level signals coming from my DAW's audio interface or for live use with a laptop, not a guitar or amp in sight. People use this same technique (and the boxes) to interface recorders and mixers with pedals and other Hi-Z inputs all the time. Quote -Keep in mind that when we talk about "re-amping" it doesn't always involve a guitar, and also often doesn't even involve an amplifier. One of my favorite things is to run a drum machine track through my modded up Kalamazoo model one in a cistern with some space echo, crushed up tape saturation goodness. To each his own, I don't deny the power and usefulness of re-amping. I understand the safety track thing a bit, for a while I was taking a di and a mic signal for my guitar (after the amp, another virtue of the behringer di) and the bass, but I never ended up using the di track of my guitar at all in the final mix and if I wanted something to sound thicker then I would just record another track or twenty with different amps and guitars to get the sound I wanted.Īlso, I have discovered the joy of ribbon mics, so it has lessened the need for thickening up things after the fact. I've had it happen a few times where I recorded something I was proud of just to have somebody mangle it beyond recognition after the fact. Sorry, I didn't mean to go on a big rant flaming you and all. Read more about how we test music-making gear and services at MusicRadar.DIY Stompboxes > Building your own stompbox Obviously, this adds an extra level of depth to your tone and even means you can ditch the amp completely. As the name suggests, this makes your DI signal sound like it's coming from an amp and speaker cab. Lastly, it's becoming more and more common to see cabinet emulation built directly into the DI box. It can also be used in a recording setting to ensure you always have an unaffected clean signal, that you can reamp later. This is commonly used by guitarists or bassists to split the signal between the DI and their amplifier. ![]() The purpose of a thru is to allow you to send a copy of the signal - before conversion - somewhere else. A pad is used to tame loud signals and bring them down to a more manageable level.Īnother feature that is an absolute must is a thru output. It's also common to see pads on a DI as well. For us, this is a must-have feature as it can get you out of a sticky situation when all your gear starts to buzz and hum. This handy little button is there to eliminate noise caused by ground loops. One feature you'll see on most DI boxes is a ground-lift switch. What other features do DI boxes have?Īs well as allowing you to plug your line-level instruments into your mic channel on your mixer, modern DI boxes also come loaded with extra features, all with the view of ensuring you have the best sounding signal possible. Maybe you want to play your bass or electro-acoustic through a portable PA system, without micing it up, or perhaps you want to capture a clean guitar tone along with your distorted one while recording. ![]() You may want to do this for several reasons. Now, in real-world terms, DI boxes are used to connect instruments such as bass or acoustic guitars into a mixing console. You'll see DI boxes in both studio and live situations, and they are used to convert a high-output impedance, line-level signal into a low-impedance, microphone-level signal. So, what is a DI box? Well, DI stands for direct input or direct injection, and they are used to resolve the issue of mismatched impedance. (Image credit: Rupert Neve) What is a DI box?ĭI boxes are often misunderstood, with many musicians not knowing if they even need one. ![]()
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